Still on the loom and easel, this weaving is an interpretation of how I see my daughter, Alissa. This photo doesn’t show the details well but the impression is there. I place a ‘veil’ of iridescent white tulle over the area where one can ‘see through’ to the other side as she has done like others in our family. The bottom corner has an add-on of wired metal flowers both for her love of flowers and as a floral designer. Full of love and light, she is also developed in abilities of discernment.
This Woven Portrait is how I see my sister Bev. She is another version of my Soul expressing Life much differently in this same Timeline. There were actually twelve different versions of our same OverSoul here in this particular Timeline but a few of us have already passed on. Life is far more complex than many people imagine and it’s all simply divine. 😁🙏💖✨
This is my third Woven Portrait of friends. I’m hoping that the carefully chosen colours, textures and added elements communicate how I see people dear to me. The necklace at the top was made by my daughter using a creative process to display a drawing of a woman Cindy had drawn. It looked like a self-portrait to us. The amber pin was a gift to me by her sister. It seemed perfect for this weaving. After I remove this piece from the easel it’s on, I’ll roll it in kraft paper with a letter and suggestion to tie the top and bottom with either dowels or sticks to hang it up. Then it’s on to the next project for me.
This is first in my new project series I call Woven Portraits titled When I Think Of… Here is how I see and interpret the personality and character of my friend and former sister-in-law Linda a. k. a. Lini. Still on the easel, you could call it a ‘quick sketch’. Colours, textures and found objects are carefully chosen. I haven’t seen anyone else doing this kind of project or weaving but then I always seem to be ‘reinventing the wheel’. Shelley Wilson- January 18, 2022
Flowerpoet 
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